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Playlist AP® English Literature and Composition: Audience and Purpose 9 videos
AP® English Literature and Composition Passage Drill 3, Problem 1. Which of the following can be said of the description in lines 5 through 10?
AP English Literature and Composition 1.6 Passage Drill 2. The primary purpose of lines 6 through 12 is to what?
AP English Literature and Composition 1.7 Passage Drill 1. Paragraph 2 serves primarily to what?
AP English Literature and Composition 1.8 Passage Drill 4 221 Views
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Description:
AP English Literature and Composition 1.8 Passage Drill 4. What shift is indicated in line 15?
Transcript
- 00:03
Here's your shmoop du jour, brought to you by Mortality. Because living forever sounds
- 00:08
like such a drag.
- 00:18
What shift is indicated in line 15?
- 00:22
And here are the potential answers...
- 00:28
In poetry, a shift is something like a key change in music.
Full Transcript
- 00:33
The poem goes from doing one thing... to doing another.
- 00:35
UNLIKE in music, it's rarely because the writer is having trouble... hitting the high notes...
- 00:41
So let's take a look at line 15 and see what we can see.
- 00:44
Although... we want to see what SHIFT takes place, so we should also look at the few lines
- 00:48
that precede it:
- 00:49
Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play
- 00:55
on; Not to the sensual ear, but, more endear'd,
- 00:59
Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave
- 01:05
Line 15 is the last one... the one that starts with "fair youth."
- 01:09
So... what changes? Is he suddenly addressing the urn?
- 01:13
Nah... he's been talking to the urn the entire time. Apparently, his silverware already had
- 01:17
plans. Is he now addressing his own former youth?
- 01:21
Nope. He's not talking to himself... although, that would probably be an improvement, from
- 01:25
a social standpoint...
- 01:26
...instead, he's talking to this "fair youth beneath the trees"... whom he has spotted
- 01:31
on the side of the urn. Let's keep going...
- 01:34
Well, because we just established that he isn't addressing himself, we can rule out
- 01:38
option C, too...
- 01:39
...and D can't be it, because he's no longer talking to the urn in general -- he's talking
- 01:43
to a SPECIFIC image on the urn...
- 01:46
...which is option E.
- 01:48
Remind us not to attend any of this guy's dinner parties...
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